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Dionisio Aguado : Dionisio Aguado (April 8, 1784 — December 29, 1849) was a Spanish classical guitarist and composer. Born in Madrid, he studied with Miguel Garcia. In 1825, Aguado visited Paris, where he met and became friends with and for a while lived with Fernando Sor. Sor's duo "Les Deux Amis" ("The Two Friends") commemorated the friendship: one part is marked "Sor" and the other "Aguado."

Aguado's major work Escuela de Guitarra was a guitar tutor published in 1825. It is still reprinted today (Tecla editions). In the "Escuela" Aguado describes his use of fingernails on the right hand as well as his invention of a 'tripodion': a device that held the guitar and thus minimized the damping effect of the player's body on the guitar's back and sides. Aguado's other works include 'Trois Rondos Brillants' (Opus 2), 'Le Menuet Affandangado' (Opus 15), 'Le Fandango Varie' (Opus 16), as well as numerous waltzes, minuets, and other light pieces. The more extended works require a virtuoso technique and left-hand stretches that are almost impossible on the longer string lengths of modern guitars. (see Frederick Noad, 'The Classical Guitar')

Aguado returned home to Madrid in 1838 and died there aged 65.

Aguado's surname comes from the Spanish work for 'soaked.' This is because an ancient relative of his, who was a knight, returned after a battle caked in mud. The nickname then eventually became the surname.

(wikipedia.org) 

The Masterpieces of Aguado
Variation.pdf
Andante.pdf
Estudios.pdf
Fandango.pdf

Gran Solo de Sor
Guitar Method 1.pdf
Guitar Method 2.pdf 
Guitar Method 3.pdf
Three Rondo Briliants

Isaac Manuel Francisco Albéniz (IPA: ˈisak alβˈeniθ) (May 29, 1860 – May 18, 1909) was a Spanish pianist and composer, best known for his piano works that are based on Spanish folk music.

Born in Camprodon, Catalonia, Albéniz was a child prodigy who first performed at the age of four. At age seven he passed the entrance examination for piano at the Paris Conservatoire, but he was refused admission because he took out a ball from his pocket and broke a glass window while playing with it. By age fifteen, he had already given concerts worldwide. After a short stay at the Leipzig Conservatory, in 1876 he went to study in Brussels. In 1880, he went to Budapest to study with Franz Liszt, only to find out that Liszt was in Weimar, Germany.

In 1883 he met the teacher and composer Felip Pedrell, who inspired him to write Spanish music such as the Suite Española, Op. 47. The fifth movement of that suite, called Asturias (Leyenda) is probably most famous these days in the classical guitar world, even though it was originally composed for piano and only later transcribed to guitar by Francisco Tárrega. Many of his other compositions were also later transcribed to guitar - Albéniz himself preferred Tárrega's guitar transcriptions to his original piano works.

During the 1890s Albéniz lived in London and Paris and wrote mainly theatrical works. In 1900 he started to suffer from kidney disease and returned to the writing of piano music. Between 1905 and 1909 he composed his most famous work, Iberia (1908), a suite of twelve piano 'impressions'.

His orchestral works include Spanish Rhapsody (1887) and Catalonia (1899).

Albeniz's Masterpieces

Asturias

Cadiz
Cataluna
Cuba
Cordova
Danza Espanola No.3
Granada
Malaguena Op.156 No. 3
Malorca
Puerta de Tierra
Romures
Saltarelo
Sevilla
Tango Op. 165 No.2
Torre Bermeja
Zamra

Johann Sebastian Bach^[1] (21 March 1685, O.S.^{31 March 1685, N.S.} – 28 July 1750, N.S.) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.^[2] Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.

Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, the Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, and the Great Eighteen Chorale Preludes and Organ Mass.

Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time. (http://en.wikipedia.org/wiki/Johan_Sebastian_Bach).

The masterpieces of J.S. Bach:

Prelude in C minor

Prelude, Fuque and Allegro